A cinematic exploration of live musical experiences, capturing the temporal essence of the stage.
Curated highlights from international stages and prestigious venues.

Symphony Hall • London Philharmonic Orchestra

The Crypt • Solo Cello & Electronics

Edinburgh Cathedral • Choral Ensemble
A comprehensive archive of recitals and ensemble collaborations.
Berlin Konzerthaus • 2024
Reykjavik Arts Festival • 2023
A deep dive into Nordic minimalism with the Reykjavik Chamber Players.
IRCAM Paris • 2024
Vienna Musikverein • 2023
Premiere of the revised second string quartet.
Reflecting on the temporal experience of the 'Sacred Resonance' program, where the cathedral's 7-second reverb became a co-performer.
Exploring the intersection of solo cello and granular synthesis during the 'Intimate Shadows' performance at The Crypt.
Notes on the 12-speaker array configuration for 'Digital Synthesis', focusing on the listener's physical position within the sound field.




Music is not just sound; it is a physical presence that occupies space and time. My approach to performance centers on the 'lived experience'—the unique tension that exists between the performer, the instrument, and the audience in a specific acoustic environment.
As a composer-performer, I view the stage as a laboratory for temporal exploration. Whether conducting a full symphony or performing solo with electronics, the goal remains consistent: to create an immersive world where the boundary between the stage and the listener dissolves.

Access comprehensive documentation for booking, academic reference, and program planning.