Temporal Elasticity in Granular Synthesis
A technical report on time-stretching algorithms that preserve phase coherence in micro-acoustic environments.
Research & Writings
Exploring the intersections of algorithmic composition, musicology, and software architecture through rigorous scholarly inquiry.
Current FocusGenerative Counterpoint Systems
Latest PaperSymmetry in Spectralism (2025)
Intellectual Artifacts
A curated collection of findings across diverse analytical domains.
Featured Research
The Algorithmic Muse
An investigation into the cognitive friction between human intuition and machine-generated musical structures.
Technical
Polyphonic Threading
Optimizing real-time audio processing in distributed systems for immersive installations.
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Musicology
Late Style in Lachenmann
Deconstructing the sonic anatomy of late-period Helmut Lachenmann.
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Computational
Graph-Based Harmony
Modeling harmonic progression as directional graph traversal in non-tonal systems.
Whitepaper
Master's Thesis
Resonant Architectures: The Spatialization of Sound in Post-Digital Composition
This extensive research explores how digital spatialization tools have redefined the physical boundaries of the concert hall. From ambisonics to wave-field synthesis, the thesis provides a comprehensive framework for composers to treat space as a primary parameter of musical form.
Peer-Reviewed Article
Beyond the Score: Interactive Notation Systems in Collaborative Coding Environments
Abstract: This paper presents a novel approach to musical notation where the score acts as a live API. By integrating web-based technologies with traditional engravers, we allow for real-time collaboration between composers and software engineers during the generative process.
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The Ethics of AI-Assisted Composition
An analytical essay on authorship and copyright in the age of large language models for audio generation.
Spectral Analysis of Industrial Soundscapes
Mapping the harmonic content of urban environments using FFT-based frequency tracking systems.
Computational Study
Stochastic Markov Chains in Real-Time Improvised Environments
Methods
Utilizing a 4th-order Markov model trained on a corpus of 18th-century chorales, implemented in C++ using the JUCE framework for low-latency MIDI generation.
Results
Achieved a 92% "stylistic coherence" rating in blind listening tests, while maintaining significant variability for live performance interaction.
Latency Analysis
Measuring the impact of buffer sizes on performer synchronization in network-based music ensembles.
Technical Specs
Vocal Synthesis
Comparative study of concatenative vs. physical modeling synthesis for choral textures.
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